On Tour With Inuk Singer-Songwriter Elisapie

Share

We catch up with the Salluit, Nunavik-born singer-songwriter as she takes her award-winning album, Inuktitut, on tour across Canada and the United States.

enRoute Inuktitut covers 10 classic pop and rock songs, including “Heart of Glass” by Blondie and “Time After Time” by Cyndi Lauper. Was it easy to choose the songs that made it onto the album?

Elisapie Isaac Joe Grass, my producer for this album and Ballad of a Runaway Girl, saw quickly that this was a very emotional and personal album for me – sometimes so personal that I didn’t even want to share. I felt like I was cheating my family and my people in the North by revealing these emotions and stories. But sometimes that’s what we have to do: We have to tell the truth.

I’d see him every three to four song choices and we’d try them with voice and guitar. If it felt like we were forcing too much, we knew right away. With “Dreams” by Fleetwood Mac, “Wild Horses” by the Rolling Stones, “The Unforgiven” by Metallica, we could tell there was something there.

Joe would often tell me to have a second listen on my jogs. It’s good to choose songs when you’re jogging, because your heart rate is up, you’re warm and you’re alone in your thoughts. There’s something about it that’s emotional. Sometimes I’d cry, and when I’d get home, my boyfriend would know I’d found a song. He was the witness to my heart opening all these locked closets to memories, emotions and traumas.

So, that’s how we connected everything: through the songs that were able to tell a personal story. If they did not, I wasn’t able to do a good job reinterpreting them.

The cover art for Elisapie's album Inuktitut
    Photo: Leeor Wild

ER You’ve said the album tells the story of your community. What do you mean by that?

EI This album is kind of a reflection of the soundtrack of the North. Even though it mainly covers white people’s music, that’s what we were listening to on the radio through the trauma, chaos and joy. Our way of life was changing quickly. Our grandparents were feeling hopelessness and powerlessness as dog sleds were taken away and dogs were killed while being told their kids would need to learn to be doctors and lawyers to live in the “new world.”

I’m speaking in a harsh way, and I don’t want to talk like a victim, because we are not victims. We are very strong, but it just became so overwhelming. In that context, artists like Led Zeppelin and Cyndi Lauper came to us as friends and let us feel like we could let go for four or five minutes inside a song. That’s how I started to see these songs, how precious and how good they were to us.

ER What was it like to translate each of these songs into Inuktitut?

EI “Wish You Were Here” was special, because some of the lyrics read like they were written by someone tripping out: “We’re just two lost souls swimming in a fishbowl, year after year.” The meaning is complicated, so finding the right words felt equally meaningful. It’s strange, because it was harder for me to translate “Time After Time” by Cyndi Lauper. Even though the lyrics for “Wish You Were Here” are so much more complicated, I had listened to the song so many times, I probably already processed them. When a song is close to you and you decide on its meaning, it helps with translation. It’s not just a technical exercise. Also, when a song is well made—and I think all the songs on the album are—you can understand how it flows.

Elisapie performing at an outdoor concert
    Photo: Villedepluie / @villedepluie

ER What was the hardest song to translate?

EI It wasn’t hard, but “Going to California” by Led Zeppelin stands out because it gets a little psychedelic. But that also works in a sense: The desert feel is almost like being lost in the tundra and flipping out over nature.

ER Have you been able to perform the album in Nunavik?

EI I haven’t yet, but I would love to play there. I experimented a little last year before the album came out with a secret show in Kuujjuaq. Seeing people of all ages run to the dance floor as I sang “Uummati Attanarsimat (Heart of Glass),” singing and dancing like it was an Inuit song, was the most beautiful thing.

When my biological mother, who’s in her mid-70s now, heard “Isumagijunnaitaungituq (The Unforgiven)” for the first time, she listened so attentively. Later on, she said if she had not known otherwise, she would have thought I wrote the song for my stepfather, her husband who had recently passed away, an Inuk leader and great hunter. I thought that was pretty cool.

A black and white photo of Elisapie in concert standing before a crowd of people holding up lights
    Photo: Villedepluie / @villedepluie

The Questionnaire

  • Window or aisle? Aisle. I like to feel free.
  • Favourite souvenir? I was given a little drum in Nome, Alaska, near Siberia. I gave it to Bob Boilen, creator of NPR’s Tiny Desk Concerts, when I was there a few years ago. It had been in my home for around 20 years, but I realized that it needs to travel. Sometimes you can regift things if they are really meaningful. It was hard for me to let it go, but I was ready to make space and offer it to him as a symbol of thanks.
  • Dream seatmate? I love travelling with the kids now. My daughter just turned 18 and I’m really eager to take her to London, because she wants to see all the musicals. She’s not a little girl anymore, so it would be nice to travel with her as two women. I also love travelling with my partner, of course. We usually travel with the kids, so it’s always special when we travel just the two of us.
  • Best travel memory? I like flying in the early morning when you’re so alert and your mind is clear. I find there’s another dimension when you’re flying. A movie that wouldn’t necessarily make you cry at home suddenly has an effect on you in the air. There’s something that happens.
  • What’s on your travel playlist? We have our classics. I always come back to Nick Cave’s last two albums. They can be a little bit dark, but sometimes we need to be taken to those mysterious places. I’m excited to listen to Beth Gibbons’ solo album that came out after so many years. Portishead was my go-to maybe 20 years ago. She’s generous with her world, and it’s a very emotional world. Devendra Banhart is always the perfect music to listen to as well, because he’s always evolving.